Tell us a little about yourself and your career.
Hi everyone, I’m Nico! I’m a Filipino-American Character and Prop Designer. I’m originally from the Bay Area, but I currently live in Los Angeles.
To be honest, I never intended to pursue a career in animation. I loved to draw since I was young, but I didn’t think anything would come out of it. In high school, I grew a passion for movies and decided to go to film school with the goal of becoming a Screenwriter/Director.
It wasn’t until I stumbled upon a comic titled I Moved to Los Angeles to Work in Animation by Natalie Nourigat did I think this path was even an option for me. I started working on my portfolio every single day (this was also during lockdown so there wasn’t much else to do) and then eight months later, I landed my first prop design job on an animated series. I’ve been lucky to work as a Designer on projects ranging from pre-school shows to adult series, and even animated features. (Thank you, Natalie!)
What challenges have you faced in navigating a career in animation?
Unfortunately, like so many other people right now, it’s the stability. When I first broke in, I was fortunate enough to land jobs back-to-back. However, with the state of the entertainment industry at the moment, it’s been my longest break in-between work. Although it’s been rough navigating through this time both financially and mentally, it’s inspired me to create my own opportunities and try to remind myself my worth isn’t tied to jobs.
Who are your inspirations in the field of animation?
The late ’90s/early ’00s era of TV animation was incredibly influential for me. Shows like Dexter’s Laboratory, The Powerpuff Girls, Clone High, Invader Zim, and The Grim Adventures of Billy & Mandy really shaped my personal style. In terms of character design specifically, Stephen Silver was someone I constantly referenced to when I was learning to draw. I’d rewatch Clerks: The Animated Series on DVD over and over just to study the art style.
What do you hope to accomplish as an artist in the animation industry?
Movies are still a big part of who I am and continue to be a huge goal of mine. If I ever got the chance, I’d love to write and direct an animated feature film. The early ’90s, Disney animated films were a pivotal part of my childhood, and it would be a dream to help create something as impactful for a new generation.
What does being in the union mean to you?
Being a part of the union feels like a community. It’s comforting knowing there are so many others pursuing the same dreams and also experiencing similar struggles so you never feel like you’re going through anything alone.
You can learn more about Nico on his website.
Follow him on Instagram.
