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On the Job

Timing is Everything

Timing is Everything

What exactly do timing directors do? And what is an exposure sheet? We talked with three industry pros to find out more about the job.

Winter 2019
Inside Look

Inside Look

Visual development artists play a key role in establishing the look of a film or TV show. Here, a few share what their typical day looks like and the challenges they must overcome.

Fall 2019
Work Animated

Work Animated

The word “animator” only relates to a specific craft, one which seems to be shrinking in the 2D world. We spoke with three 2D animators who work in television about what they do and what the future looks like to them.

Summer 2019
Different Backgrounds

Different Backgrounds

Many background designers are drawn to the challenge of creating new worlds for characters to live in. Here, three artists share what inspires them and what the position entails.

Spring 2019
The Rocketeer’s writing team at Wild Canary (from left): Brian Hohlfeld, Staff Writer; Greg Johnson, Story Editor; Kendall Haney, Staff Writer; Claudia Silver, Staff Writer; Nicole Dubuc, Showrunner. Not pictured: Kris Wellman, Script Coordinator.

Inside the Writer’s Room

Writers spend a lot of time alone, clicking on their keyboards, trying to capture ideas on paper. We met with the writing team behind The Rocketeer and learned more about what they do.

Winter 2018
Rigged for Success

Rigged for Success

After a modeler finishes building a character, it’s time for rigging artists to essentially create a digital skeleton so animators can pose the character. Here, we learn more about what the job entails.

Fall 2018
In Character

In Character

The task of the character designer is to breathe life into a character. We spoke to three about their individual approaches, as well as the secrets to good design.

Spring 2018
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