Emmy Lookback: Phineas and Ferb
Art Director Jill Daniels won two Primetime Emmys for Outstanding Individual Achievement for her work on Phineas and Ferb.
Art Director Jill Daniels won two Primetime Emmys for Outstanding Individual Achievement for her work on Phineas and Ferb.
Color Designer and Illustrator Stella Longfish shares her thoughts on recent leaps forward in representation, incredible Indigenous stories worth telling, and the importance of never giving up.
Storyboard Artist Nicolette Ray shares her thoughts on the need for more Native representation in animation and her hope for meaningful change at studios when it comes to mental health.
Story Artist Kristal Babich shares her thoughts on the importance of diverse mentorship, her desire to see more representation behind the scenes, and how the Union has helped her ask for what she deserves.
Storyboard artist Juan Luis Bravo shares his affection for legendary animator Bill Melendez, his wish for more nuance in stories by Latine artists, and his belief that being in the Union helps artists take ownership of their work.
Storyboard artist Michelle Eloren discusses what motivates her to be a team player, the importance of nurturing underrepresented artists from day one, and the sense of security she feels from being part of the Union.
Having nurtured the concept of a half-alligator/half-boy for ten years, director Ryan Crego found his creation a home at Netflix in Arlo the Alligator Boy. Here, he shares how his ideas evolved, why music is essential to his story, and why optimism is so important—especially now.
Bojack Horseman director Amy Winfrey discusses animal gags, Zach Braff in short shorts and her Emmy®-nominated episode “The View From Halfway Down”.
“There are so many stories and takes on stories that can be told by people of color and queer creators, and not all of them have to be an after school special or focused on trauma.”