Criminal Intent
Using the framework of classic crime genres, TAG members find the freedom to get weird in new animated series.
Using the framework of classic crime genres, TAG members find the freedom to get weird in new animated series.
Storyboard Revisionist Mary Buhl reflects on taking the risk of a career in art, searching for her animation path, and the anchoring effect of having access to Guild support.
Background Designer Monica Orange discusses her refusal to give up during slow times, her desire to work on a magical project, and how she finds community in the Guild.
Director and Storyboard Artist Emily Oetzell talks about the importance of using personal art as a creative outlet, her desire to create better working environments, and how Guild members help with work-life balance.
Natalie Arenzon discusses her non-traditional path to animation, her desire for stability in her career, and how it felt to be able to join TAG on the East Coast.
As more animation production crews join TAG, three new members share what it’s like to be a production coordinator on an animated series.
When it comes to making animals relatable, artists and animators use a clever combo of real-life references and visual tricks.
With the animation industry experiencing a sea change in production organizing, five soon-to-be TAG members share their experiences on the organizing trail.
Rachel Gitlevich shares her journey from Titmouse NY union organizer to the Oval Office.