Emotion in Motion
On his fourth Kung Fu Panda movie, Animation Supervisor Philippe Le Brun found news ways to spark his creativity.
On his fourth Kung Fu Panda movie, Animation Supervisor Philippe Le Brun found news ways to spark his creativity.
Art Director Jill Daniels won two Primetime Emmys for Outstanding Individual Achievement for her work on Phineas and Ferb.
Art instructor Glenn Vilppu shares the journey that led him to become this year’s recipient of the Annie Awards’ Special Achievement Award recognizing his unique and significant impact on the art and industry of animation.
Holiday family specials are an animation staple, and this year’s crop includes 5 More Sleeps ‘til Christmas. Set Model Designer Aric Cheng talks about working on a show he could turn into a holiday tradition with his daughter.
Storyboard Artist Nicolette Ray shares her thoughts on the need for more Native representation in animation and her hope for meaningful change at studios when it comes to mental health.
Story Artist Kristal Babich shares her thoughts on the importance of diverse mentorship, her desire to see more representation behind the scenes, and how the Union has helped her ask for what she deserves.
Storyboard artist Juan Luis Bravo shares his affection for legendary animator Bill Melendez, his wish for more nuance in stories by Latine artists, and his belief that being in the Union helps artists take ownership of their work.
Storyboard artist Michelle Eloren discusses what motivates her to be a team player, the importance of nurturing underrepresented artists from day one, and the sense of security she feels from being part of the Union.
Prop/EFX and character designer Bryan Bae discusses being deaf/HoH (hard-of-hearing), his gratitude for those who have supported his animation career, and how he works with TAG’s group for Deaf, Disabled, and Neurodiverse (DDNV) to help individuals with disabilities feel safe and supported.