Kelsey Wooley
Kelsey Wooley shares her thoughts on reclaiming self-confidence, helping other artists achieve their goals, and the security that comes from being in the Guild.
TAG members often refer to being part of one big family, but for these members, working in the animation industry really is a family affair.
On the 30th anniversary of The Lion King, TAG members recall working on this iconic film.
Three TAG Storyboard Artists share how they balance emotion, action, timing, and collaboration to give life to story and characters.
Intention and expertise guide artists exploring mental health and emotional wellness in animation.
Preschool shows are tasked with educating while entertaining a demographic known for its short attention span. Here’s how they do it.
Kelsey Wooley shares her thoughts on reclaiming self-confidence, helping other artists achieve their goals, and the security that comes from being in the Guild.
Director and Storyboard Artist Cal Ramsey shares their thoughts on having a diverse skill set, their desire to push genre boundaries, and how the Guild keeps the animation industry sustainable.
Emmy winner Mike Milo discusses the importance of learning more than one skill, his admiration for draftsmanship, and how the Guild protects artists.
General Technical Director and TAG Executive Board member Brandon Jarratt shares thoughts on industry highs and lows, the relationship between art and technology, and finding common connections through the Guild.
Writer and Executive Producer Daron Nefcy discusses developing her own projects, sharing her dad’s optimism, and the importance of getting involved in the Guild.
Background Supervisor Kati Prescott discusses learning to understand her own work habits, overcoming imposter syndrome, and valuing the connections she makes through the Guild.
Director Kris Wimberly’s Studio Smokescreen provides a way for beginners and veterans alike to forge new paths in the animation industry.
According to Lead Character Designer Joe Moshier, reality is key to the magic of animation.
A love of mysteries, animation, and filmmaking led Cameron Woodard to create his own video game.
Visual Development Artist Janna Bock creates vignettes that capture the immediacy of moments in time.
Three Background Designers share how the language of color and light brings locations and settings to life.
Vivienne Medrano reveals the musical theater inspirations and personal passions behind the creation of Hazbin Hotel.
Head of Effects (or FX) requires technical know-how, creative thinking, communication skills, and a desire to nurture talent and watch it grow. Learn more from these TAG members about what it takes to get the job done.
As more animation production crews join TAG, three new members share what it’s like to be a production coordinator on an animated series.
An Official Selection at this year’s Annecy Festival, John Musker’s short film I’m Hip is a love song to classic hand-drawn animation and free-form jazz.
Animator Andrew Chesworth used modern tools to capture the whimsy of the past in his short film The Brave Locomotive.
For Women’s History Month, Storyboard Artist and Episodic Director Leslie Park shares how two TAG women inspire her on the job.
January is National Mentoring Month, celebrating and recognizing the impact of mentors and encouraging the development of mentorship programs.
Three TAG members reflect on what the honor of being inducted into The Academy of Motion Picture Arts and Sciences means to them.
As Nickelodeon Animation Studio celebrates its 25th anniversary, TAG members reflect on working on beloved “Nick” shows.
On the 60th anniversary of the founding of DePatie-Freleng Enterprises (1963-1981), retired TAG member Dave Brain reminiscences about meeting co-founder Friz Freleng over the years.