Sully Brown
Visual Development Artist and Designer Sully Brown discusses the importance of refining your skills, finding inspiration outside animation, and how the Guild creates opportunities for a better quality of life.
Never one to shy away from a challenge, Genndy Tartakovsky continues to thrill viewers by creating outside the box.
As computer graphics in animation evolved, art and technology merged in ways that enriched both the look and storytelling in feature films.
Through the art of animation, K-Pop: Demon Hunters takes a deep dive into a cultural phenomenon.
Five TAG members reflect on their Emmy wins for Outstanding Individual Achievement in Animation.
For Dog Man, Plankton, and The Day the Earth Blew Up, TAG artists gathered to discuss the craft of making animated features.
Visual Development Artist and Designer Sully Brown discusses the importance of refining your skills, finding inspiration outside animation, and how the Guild creates opportunities for a better quality of life.
Storyboard Artist and Compositor Matthew de Lorimier discusses finding motivation during job lulls, how working in the industry helps him push his craft, and how being in the Guild means always having someone to help you when things get tough.
Background Designer Andrew Brian George reflects on the influence of his computer-savvy family, the challenge of making connections as a remote worker, and how being in the Union gives him confidence to set limits.
Storyboard Artist Jessica Xu shares her desire to keep honing her voice, how hobbies help with burnout, and how the Union empowers members to support one another.
Storyboard Artist McKenzie Bugg reflects on the challenge of staying motivated during dry spells, the risk of expectations, and how the Guild supports a close-knit community.
Story Artist Daria Khil reflects on how overcoming obstacles made her stronger, her desire to create stories with humor and heart, and using the Guild as a way to give back to future generations of artists.
TAG members reflect on two nominees for this year’s Primetime Emmy Award for Outstanding Animated Program.
At a time in life when most people would retire, Rob LaDuca was just getting started—again!
Whether writing for animation or crafting ice cream, Jacob Moffat says success all comes down to storytelling.
The unconventional use of embroidery solemnizes Michelle Robinson’s depictions of endangered creatures.
Production Designer Tom Pajdlhauser uses sketching as his lens to view the world.
After more than six decades teaching art, Glenn Vilppu’s creative passion continues to grow.
Directing The Mayfly allowed Sue Perrotto to pursue her own passion through a story about following dreams.
In the new series Haunted Hotel, TAG members take up the challenge of creating an endearing horror show.
Life’s imperfections give depth to the multicultural, multigenerational kids series Wylde Pak.
Using her sprawling, multi-ethnic family as inspiration, Natasha Kline infusesPrimos with humor and heart.
Three Background Designers share how the language of color and light brings locations and settings to life.
Confusion over job titles has led TAG’s Story Editors to ask for a new credit: Head Writer.
Three TAG members share how the animatic pilot Tea Leaves Last embraced learning curves to provide new opportunities for Asians in animation.
Retired TAG member Dave Brain created a comic strip to capture the reality of working in animation.
On the 30th anniversary of Pocahontas, Disney Veteran Steve Goldberg reflects on merging hand-drawn art with early CG imagery.
The chance discovery of stolen awards connected a string of animation workers with an industry legend.
As SpongeBob SquarePants turns 25, series veterans Marc Ceccarelli and Vincent Waller look back on gags, outlines, and keeping things surreal.


