• Features

    Genndy Unleashed

    Genndy Unleashed

    Never one to shy away from a challenge, Genndy Tartakovsky continues to thrill viewers by creating outside the box.

  • Features

    The Evolution of CG Animation

    The Evolution of CG Animation

    As computer graphics in animation evolved, art and technology merged in ways that enriched both the look and storytelling in feature films.

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  • Features

    The team behind K-Pop: Demon Hunters depicted the highly stylized look of the genre’s mega-stars with the main characters (from left) Zoey, Rumi, and Mira.

    Performance Art

    Through the art of animation, K-Pop: Demon Hunters takes a deep dive into a cultural phenomenon.

  • Features

    Sharing the Spotlight

    Sharing the Spotlight

    Five TAG members reflect on their Emmy wins for Outstanding Individual Achievement in Animation.

  • Features

    Balancing Acts

    Balancing Acts

    For Dog Man, Plankton, and The Day the Earth Blew Up, TAG artists gathered to discuss the craft of making animated features.

  • Member Mondays

    Sully Brown

    Sully Brown

    Visual Development Artist and Designer Sully Brown discusses the importance of refining your skills, finding inspiration outside animation, and how the Guild creates opportunities for a better quality of life.

  • Member Mondays

    Matthew de Lorimier

    Matthew de Lorimier

    Storyboard Artist and Compositor Matthew de Lorimier discusses finding motivation during job lulls, how working in the industry helps him push his craft, and how being in the Guild means always having someone to help you when things get tough.

  • Member Mondays

    Andrew Brian George

    Andrew Brian George

    Background Designer Andrew Brian George reflects on the influence of his computer-savvy family, the challenge of making connections as a remote worker, and how being in the Union gives him confidence to set limits.

  • Member Mondays

    Jessica Xu

    Jessica Xu

    Storyboard Artist Jessica Xu shares her desire to keep honing her voice, how hobbies help with burnout, and how the Union empowers members to support one another.

  • Member Mondays

    McKenzie Bugg

    McKenzie Bugg

    Storyboard Artist McKenzie Bugg reflects on the challenge of staying motivated during dry spells, the risk of expectations, and how the Guild supports a close-knit community.

  • Member Mondays

    Daria Khil

    Daria Khil

    Story Artist Daria Khil reflects on how overcoming obstacles made her stronger, her desire to create stories with humor and heart, and using the Guild as a way to give back to future generations of artists.

  • Artist Spotlight

    Common Side Effects was one of Guild series that dominated the nominations for the Primetime Emmy for Outstanding Animated Program.

    Prime of Life

    TAG members reflect on two nominees for this year’s Primetime Emmy Award for Outstanding Animated Program.

  • The Climb

    LaDuca (bottom right) and his pal Ed Wexler (bottom left) starting out at Disney TV Animation in 1985.

    My Kind of People

    At a time in life when most people would retire, Rob LaDuca was just getting started—again!

  • After Hours

    Moffat (center) and his brothers Mac (left) and Rich with their dad, Parker, receiving the gift of an ice cream maker.

    Keeping Cool

    Whether writing for animation or crafting ice cream, Jacob Moffat says success all comes down to storytelling.

  • Art & Craft

    Artist: Michelle Robinson | Title:  Southern California Steelhead (Endangered)| Medium: Cotton and satin embroidery on muslin | Size: 24” x 24”

    Bearing Witness

    The unconventional use of embroidery solemnizes Michelle Robinson’s depictions of endangered creatures.

  • After Hours

    Artwork from Pajdhlhauser's travels in sketchbooks and on coffee cups.

    Sketch Appeal

    Production Designer Tom Pajdlhauser uses sketching as his lens to view the world.

  • The Climb

    Glenn Vilppu built his career on teaching Renaissance art and using fundamental skills to create from the imagination.

    Imagine That!

    After more than six decades teaching art, Glenn Vilppu’s creative passion continues to grow.

  • The Local

    Getting It Write

    Getting It Write

    Confusion over job titles has led TAG’s Story Editors to ask for a new credit: Head Writer.

  • Dialogue

    The art in Tea Leaves Last is purposefully more refined than in a typical animatic.

    Steeped in Culture

    Three TAG members share how the animatic pilot Tea Leaves Last embraced learning curves to provide new opportunities for Asians in animation.

  • Final Note

    When “writers’ room shows” like The Simpsons or Family Guy achieved great success, a lot of visual action gags—so prevalent in series like Tom and Jerry and The Road Runner Show—faded away. Animators like me were sad to see them go.

    Comic Relief

    Retired TAG member Dave Brain created a comic strip to capture the reality of working in animation.

  • Final Note

    A complex integration of hand drawing and CG created seamless scenes like this one with Pocahontas and Grandmother Willow.

    Blending In

    On the 30th anniversary of Pocahontas, Disney Veteran Steve Goldberg reflects on merging hand-drawn art with early CG imagery.

  • Final Note

    Marlon West and Floyd Norman at The World Animation Summit.

    Eyes on the Prize

    The chance discovery of stolen awards connected a string of animation workers with an industry legend.

  • Final Note

    Hip to Be Square

    Hip to Be Square

    As SpongeBob SquarePants turns 25, series veterans Marc Ceccarelli and Vincent Waller look back on gags, outlines, and keeping things surreal.

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