A Passion for Picture Books
Benson Shum’s love of drawing led him to pursue two creative careers as both an animator and children’s book illustrator.
Rachel Gitlevich shares her journey from Titmouse NY union organizer to the Oval Office.
Transforming the Cuphead video game into a TV series proved both challenging and fun as the production team took a deep dive into character development, old-time jazz, and vintage animation.
The fun and finesse of transforming the written word into animation.
Creator Bruce W. Smith and Executive Producer Ralph Farquhar talk about how The Proud Family: Louder and Prouder blazes new trails.
Six experts share words of wisdom on creating community through delegation.
Benson Shum’s love of drawing led him to pursue two creative careers as both an animator and children’s book illustrator.
Like a Photon Creative, Australia’s only women owned and managed animation studio, turned to Dell Technologies for a remote work solution to maintain the safety of creative […]
Fascination with her grandfather’s microbiology slides led Story Editor and Head Writer Colleen McAllister down a unique artistic path.
At the Cars & Coffee meet-ups, Guild members come for the cars and stay for the camaraderie.
Storyboard Artist Matt Jones uses his sketchbook to explore his surroundings.
Tons of meetings, pitching wild ideas, and honing their craft—it’s all in a day’s work for these staff writers on animated TV shows.
More and more talented women are pursuing career opportunities in CG and excelling in the technical side of the industry.
Max Keane discusses the inspiration behind his new animated preschool show Trash Truck.
Before an object or character can be animated, it has to be built in a computer-generated environment. Three modelers share the unique art and techniques of this craft.
Storyboard artists help weave a tale through images. Here, we speak to three artists on what drew them to the craft and how they stay inspired.
Art instructor Glenn Vilppu shares the journey that led him to become this year’s recipient of the Annie Awards’ Special Achievement Award recognizing his unique and significant impact on the art and industry of animation.
Holiday family specials are an animation staple, and this year’s crop includes 5 More Sleeps ‘til Christmas. Set Model Designer Aric Cheng talks about working on a show he could turn into a holiday tradition with his daughter.
First-time Director Clare Knight and Director-Writer Harry Cripps discuss Back to the Outback, the tale of a ragtag band of Australian animals that prove being different isn’t a bad thing.
Director Vicky Jenson fondly recalls working on Shrek, winner of the first Oscar for Best Animated Feature.
Storyboard Artist Nicolette Ray shares her thoughts on the need for more Native representation in animation and her hope for meaningful change at studios when it comes to mental health.
Rachel Gitlevich shares her journey from Titmouse NY union organizer to the Oval Office.
Five TAG members reflect on the beginnings of Local 839’s groundbreaking Tactical Action Group.
“Stronger together” is more than just a handy catchphrase—it’s the lifeblood of the IATSE Locals lifting each other up to support equity and fair treatment on the job.
With more than 600 submissions this year, TAG’s annual Portfolio Review Day leaped from passion project to industry essential in just three years.
Presented by TAG’s Writers’ Craft Committee, the Showrunner Training Series features interviews with people in various roles a showrunner might interact with during the course of a production.